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因為我自己也想要了解From Fu Manchu to Kung Fu Panda：Images of China in American Film,所以到處尋找資訊做功課.網路購物EC是擋不住的趨勢,可以方便比價只要用功通常都能買到相對便宜的商品！希望我整理的資料能對我大家CHERRY有幫助。google找一下有些人再熱烈討論From Fu Manchu to Kung Fu Panda：Images of China in American Film.From Fu Manchu to Kung Fu Panda：Images of China in American Film該商品熱烈銷售中~ 避免向隅,欲購從速~ |
| 搜尋參考資料: 1.From Fu Manchu to Kung Fu Panda: Images of China … www.amazon.com/From-Manchu-Kung-Panda-Interventions-ebook/dp/B00K... From Fu Manchu to Kung Fu Panda: Images of China in American Film (Critical Interventions) - Kindle edition by Naomi Greene. Download it once and read it on … www.uhpress.hawaii.edu/p-9139-9780824838362.aspx From Fu Manchu to Kung Fu Panda: Images of China in American ... From Fu Manchu to Kung Fu Panda: Images of China in ... Kung Fu Panda: Images of China in American Film. From Fu Manchu to Kung Fu Panda. Images of China in ... Using film to trace these ... This book is about the representations of China found in American ...
From Fu Manchu to Kung Fu (Critical Interventions) ... this book explores Chinas changing role in the American ... From Fu Manchu to Kung Fu Panda: Images of China ... https://uhpress.wordpress.com/2014/05/07/from-fu-manchu-to-kung-fu... May 07, 2014 · News from University of Hawai‘i Press ... From Fu Manchu to Kung Fu Panda: Images of China in ... Asian & Pacific American studies, China, film … |
因為我自己也想要了解From Fu Manchu to Kung Fu Panda：Images of China in American Film,所以到處尋找資訊做功課.GINO是我的好朋友,為人正直又有愛心;GINO他只會推荐好東西！希望我整理的資料能對我大家GINO有幫助。網路購物EC是擋不住的趨勢,可以方便比價只要用功通常都能買到相對便宜的商品！當今網購市場很競爭,各大購物網為求好業績無所不用其極,殺價毫不手軟。 |
詳細資料ISBN：9789888208692 規格：平裝 / 280頁 / 17 X 23 CM / 普通級/ 單色印刷 / 初版 出版地：香港 內容簡介 “FROM FU MANCHU TO KUNG FU PANDA CHRONICLES THE STRUGGLE WITHIN HOLLYWOOD FILM TO COME TO GRIPS WITH AMERICAN AMBIVALENCE TOWARD CHINA AS A NATION AGAINST THE BACKDROP OF ITS CURRENT ECONOMIC AND GEOPOLITICAL ASCENDANCY ON THE WORLD STAGE. REACHING BACK TO EARLY FILM PORTRAYALS OF CHINATOWN, CHRISTIAN MISSIONARIES, WARLORDS, AND PERVERSE VILLAINS BENT ON WORLD DOMINATION, GREENE MOVES FROM THE ‘YELLOW PERIL’ TO THE ‘RED MENACE’ AS SHE EXAMINES WWII AND COLD WAR CINEMA. SHE ALSO EXPLORES THE RANGE OF FILM FANTASIES CIRCULATING TODAY, FROM FILMS ABOUT TIBET TO CHINESE AMERICAN INDEPENDENT FEATURES AND THE GLOBAL POPULARITY OF KUNG FU CARTOONS. THIS ACCESSIBLE BOOK ALLOWS THESE FILMS TO SPEAK TO THE POST 9-11/OCCUPY WALL STREET GENERATION AND MAKES A WELCOME CONTRIBUTION TO DEBATES ABOUT HOLLYWOOD ORIENTALISM AND TRANSNATIONAL CHINESE FILM CONNECTIONS.”—GINA MARCHETTI, AUTHOR OF THE CHINESE DIASPORA ON AMERICAN SCREENS: RACE, SEX, AND CINEMA “A SIGNIFICANT WORK OF FILMOGRAPHY, NAOMI GREENE’S BOOK EXPLORES THE EXOTIC, AT TIMES MENACING, BUT ALWAYS FANTASTIC IMAGES OF CHINA FLICKERING ON THE SILVER SCREEN OF THE AMERICAN IMAGINATION. THE AUTHOR WRITES LUCIDLY, JARGON-FREE, AND WITH THE SURE-FOOTEDNESS OF A SEASONED SCHOLAR.”—YUNTE HUANG, AUTHOR OF CHARLIE CHAN: THE UNTOLD STORY OF THE HONORABLE DETECTIVE AND HIS RENDEZVOUS WITH AMERICAN HISTORY THROUGHOUT THE TWENTIETH CENTURY, AMERICAN FILMMAKERS HAVE EMBRACED CINEMATIC REPRESENTATIONS OF CHINA. BEGINNING WITH D.W. GRIFFITH’S SILENT CLASSIC BROKEN BLOSSOMS (1919) AND ENDING WITH THE COMPUTER-ANIMATED KUNG FU PANDA (2008), THIS BOOK EXPLORES CHINA’S CHANGING ROLE IN THE AMERICAN IMAGINATION. TAKING VIEWERS INTO ZONES THAT FREQUENTLY RESIST LOGICAL EXPRESSION OR MORE ORTHODOX HISTORICAL INVESTIGATION, THE FILMS SUGGEST THE WELTER OF INTENSE AND CONFLICTING IMPULSES THAT HAVE SURROUNDED CHINA. THEY MAKE CLEAR THAT CHINA HAS OFTEN SERVED AS THE VERY EMBODIMENT OF “OTHERNESS”—A KIND OF YARDSTICK OR CLOUDY MIRROR OF AMERICA ITSELF. IT IS A MIRROR THAT REFLECTS NOT ONLY HOW AMERICANS SEE THE RACIAL “OTHER” BUT ALSO A LARGER LANDSCAPE OF RACIAL, SEXUAL, AND POLITICAL PERCEPTIONS THAT TOUCH ON THE WAYS IN WHICH THE NATION ENVISIONS ITSELF AND ITS ROLE IN THE WORLD. IN THE UNITED STATES, THE EXCEPTIONAL EMOTIONAL CHARGE THAT IMBUES IMAGES OF CHINA HAS TENDED TO SWING VIOLENTLY FROM POSITIVE TO NEGATIVE AND BACK AGAIN: CHINA HAS BEEN LOVED AND—AS IS GENERALLY THE CASE TODAY—FEARED. USING FILM TO TRACE THESE DRAMATIC FLUCTUATIONS, AUTHOR NAOMI GREENE RELATES THEM TO THE LARGER ARC OF HISTORICAL AND POLITICAL CHANGE. SUGGESTING THAT FILMIC IMAGES BOTH REFLECT AND FUEL BROADER SOCIAL AND CULTURAL IMPULSES, SHE ARGUES THAT THEY REVEAL A CONSTANT TENSION OR DIALECTIC BETWEEN THE “SELF” AND THE “OTHER.” SIGNIFICANTLY, WITH THE IMPORTANT EXCEPTION OF FILMS MADE BY CHINESE OR CHINESE AMERICAN DIRECTORS, THE CHINESE OTHER IS ALMOST INVARIABLY PORTRAYED IN TERMS OF THE AMERICAN SELF. PLACED IN A BROADER CONTEXT, THIS ETHNOCENTRISM IS RELATED BOTH TO AN EVER-PRESENT SENSE OF AMERICAN EXCEPTIONALISM AND TO A MANICHEAN WORLD VIEW THAT PERCEIVES OTHER COUNTRIES AS FRIENDS OR ENEMIES |
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